Tuesday, July 18, 2023

Location, Location, Location... more than true for photographers.

After practicing photography for 13 years and experiencing a general lack of demand for all forms of photography in my area, Hazleton, PA, the reality became clear. Despite my efforts to promote, advertise, and position myself within the regional market, I struggled to attract clients due to the law of supply and demand. The key to overcoming this challenge as a photographer was to focus on relationship building and maintaining those connections. Although some may view my reasons as mere excuses, they are legitimate.


I attempted to specialize in senior portrait photography, promoting a high-end magazine fashion style with a highly stylized glam experience for high school seniors. However, the common feedback I received, even within the region, was that my work "looked too expensive." Admittedly, it was. While my stylized senior portrait shoots resembled fashion photoshoots with experienced models, I had learned over the past 13 years to teach inexperienced individuals how to appear like professional models in their images. This didn't mean they performed better than professional models, but at the very least, they could present themselves as professionals in the photos seen by themselves and their friends.


The only strategy I was taught, and even received guidance from experienced professionals on, was to network at high school sporting events as a senior portrait photographer. This involved befriending coaches, photographing the games (despite my limited experience in shooting sports due to lacking specialized gear), and consistently attending the games by keeping track of their schedules. Unfortunately, this approach conflicted with my full-time job, which required me to work from afternoon to midnight. Weekday games were not feasible for me, and weekend games were infrequent, often involving away games, which didn't align with my initial strategy.


As someone without children, family, or friends within that circle, networking through sporting events was my only gateway. Eventually, I had to walk away from specializing in senior portrait photography, which was disheartening because of the immense effort I had invested due to my passion for fashion photography. Given that my area lacked clothing designers, targeting regional designers for potential commercial photography was not a viable option. The most realistic opportunity for me, then and possibly even now, is to move to a larger city. However, moving to a bigger city came with higher living costs, which I couldn't afford unless I had enough savings to sustain myself for 12 months or secured a day job within the city.


Contrary to photographers who claim that location doesn't matter, they fail to understand individual goals. As a generalist photographer, location becomes less of an issue. However, my intention was never to be a generalist; at most, I aspired to be a commercial photographer specializing in various photography genres while focusing on working with businesses. Nonetheless, even as a commercial photographer, the demand from small businesses for photographers is limited. Most small businesses rely on stock photography or Google images for their minimal local social media and print advertising needs.


Therefore, even for a commercial photographer, location matters significantly. It is more advantageous to be situated in a major city rather than a small city like Hazleton, PA, with a population of 30,000-40,000 or even within the regional area with 1.4 million people. Small businesses prefer to hire generalists, who are easier and more cost-effective to find through personal connections like friends, friends of friends, or even family. Hiring a photographer is considered a regular expense for larger businesses, but for the majority of small businesses in the Northeastern PA region, it occurs infrequently, usually once a year, unless the business continually introduces new products.


To conclude, if you are starting a photography business, it is crucial to focus on your location and invest efforts in building and maintaining relationships. Personally, I prefer to pursue other business opportunities that offer faster scalability than a photography business could achieve in today's environment. Otherwise, persisting would result in minimal returns, constant annual profit losses, and the frustrating cycle of low demand and oversupply.

Tuesday, July 4, 2023

A Reflection of 13 Years Doing Photography

 I don't regularly post here much anymore because I haven't really shot a whole lot of stuff since pre-COVID. I did some shoots here and there, which I'll share once they're actually and fully done. But I wanted to give a full reflection on my last 13 years in my journey as a photographer and entrepreneur, trying to make photography a viable path to a full-time living.


Initially, I got into photography because I felt I could comfortably learn the technical aspects and pair them with my creativity and entrepreneurial spirit in running a business. Looking back today, I progressively improved my photography crafting skills, but I definitely feel I lacked pushing the boundaries on the creative side for myself. Additionally, I was limited by my budget, which may sound like an excuse. From the start, my budget was always bootstrapping my shoots.


Today, of course, I spend a lot more time in preparation and even money on wardrobe. I still live in the middle of nowhere with no accessible wardrobe stylists to help me find the right clothing, so I have to work with what the models have in their own wardrobe, or I have to hope a model I trust will be the same size for a few months while I save up money for a concept shoot with a nice-looking wardrobe. I think I've saved up money for wardrobe purchases myself only a handful of times.


Did spending more pay off in terms of improving my portfolio or leading to paying jobs? Not necessarily. In the last 13 years, most of my paid gigs came from relationship building, some indirectly and some directly from doing TFP (trade-for-pic) shoots. Whether I spent a lot or not on those TFP photoshoots was irrelevant. However, if I had consistently spent more on higher-budget shoots, it could have benefited me more. Unfortunately, I couldn't afford to do these higher-budget shoots as much as I would have liked. Nonetheless, I believe I became really good at consistent natural light photography.


One important lesson I learned was that I did over 400 TFP modeling shoots in my 13 years, but unfortunately, most of them were in Hazleton or around Northeastern PA, and most did not lead to paid gigs (maybe 2% did). They did help build my portfolio and allow me to work on my craft, which should be the primary reason to do them. However, location does matter, regardless of what others in the industry say. I am based in Hazleton, a small city in the Northeastern region of Pennsylvania. I didn't have access to modeling agencies near me or any agencies willing to drive to my area from NYC or Philadelphia. My only opportunity to work with models who could help me build the portfolio I wanted was to collaborate with modeling agencies. Others would hire models, but as I mentioned, my budget was almost zero per shoot, and the only models considered "pro" in my area were glamour models. Glamour photography was not my preferred route for business, as I primarily focused on passion-focused directions like fashion photography and editorial work.


If you can afford to travel to a major city that ideally has a modeling agency, such as NYC or Philadelphia, and you want to focus on fashion photography, I recommend researching legitimate agencies and reaching out to collaborate with them.


The only way I could do more on-location/off-camera flash photography was by having either a heavy and expensive wagon or paying an assistant to help carry my gear. Many photographers use sandbags as a solution, but they are not lightweight. So, if you want to do more on-location/off-camera flash photography, invest in a $100-$200 wagon to save on labor costs. Most photographers, though, have a significant other or life partner who can be very helpful. From what I have observed, photographers working with their partners for


 assistance or even for makeup and hair can significantly reduce costs compared to hiring someone externally. Although having an assistant is much better than relying on sandbags, especially when shooting in public or urban areas like NYC, Philadelphia, or Miami. The goal is to travel as lightly as possible, so be prepared to shoot with natural light or become skilled at speedlite shooting with an assistant holding or angling the modifier.


A key lesson here is that if you can afford to have a reliable assistant, go for it. If you can't, become proficient in natural light shooting or invest in a good wagon.


Another aspect of my entrepreneurial learning experience was the rate of scaling and earning enough revenue to become full-time. I never reached that level due to several reasons. One of them being that I prioritized the artist and passion over the business. When running a business, especially a photography business, you cannot put passion for the art first to become successful, unless you have ample resources and access to a larger networking pool. Admittedly, if I had forced myself to do photography that I had no real artistic passion for, like weddings, couples, and family portraits—the common types of photography that regular people would hire for—I could have obtained more work in my area. However, my passion for editorial and fashion photography was what drove me to keep going. While the money would have been great, and I did try to get those clients, I'm not a family person myself, nor am I particularly interested in couples' photography. Therefore, I'm not naturally connected to those circles.


So, the few times I did acquire those clients were either through bidding websites like Thumbtack, referrals from friends of friends, or clients who hired me for other work but also requested couples or family portraits. I also attempted Facebook, Instagram, and Google advertising, but I didn't see any returns on my investment; it was a total loss. The only way I could have made any headway with paid online advertising would have been by spending thousands of dollars a month. However, given the current state of the industry with its supply and demand dynamics, it didn't make sense for photography clients. I learned this lesson because of the abundance of supply in the world. People will always check their own personal networks first, starting with close friends and then expanding to their social media connections. While I'm not a private person, I don't like friending random strangers on Facebook, and most photography clients were on that platform. Building personal relationships to network with potential photography clients was just too slow to become full-time based on my location and my passions in terms of the types of photography I wanted to explore and offer.


In 2023, I decided to reduce my efforts to win over clients as much as I did before. I will still keep my photography websites up (chrisadvalproductions.com, ca-headshots.com, and chrisadvalportraits.com), but the effort to advertise and network as extensively as before for photography is simply not worth it. Instead, I am putting more effort into a new business venture where I don't invest as much passion and heart into the artistic direction, but rather focus on the business aspect. Currently, I am building a clothing brand centered around T-shirt designs for the live streaming community. Since 2018, I have become more involved in this niche section of the online community and have fallen in love with it due to its unique nature and the significant opportunities it offers, particularly within the IRL community. Over the years, I have built many friendships within this community, so it makes the most logical sense to start my first clothing brand catering to this niche for my T-shirt business.


I have also considered, and still might, start creating more YouTube content for educational purposes in photography. Based on the lessons I've learned over the last 13 years, the highest demand and most lucrative part of the photography industry has been, and continues to grow, is photography education. Initially, I didn't pursue this path because I love creating fashion and editorial photography more than teaching. However, it has become evident that the "superstars" of the photography industry achieved their success by teaching their expertise. I am confident in my ability to teach natural light portraits or, more specifically, natural light modeling photography to those who are or were in my position, where shooting with off-camera flash is not ideal.


Saturday, May 20, 2017

The Red Chair



First off, this was my very first legit attempt at photographing animals in a editorial type of photoshoot. Not counting candid, which is by far much easier (HA!)! 

What I came to learn from this shoot is bar none... is to have a squeaky toy! This is a must! Of course you can simply have an assistant jumping around around/under you to get the dog's attention to your camera, but most of the time I won't always have an assistant on my project shoots, especially when its indoors and no time limit like this one. Plus this was not just a one animal/pet shoot... I wanted to get as many dogs they had (which was 4?) in the frame looking at me. I soon realized this would be an impossible task with what I had available, so I decided to do a one by one and get the best shots I could. Check the video below at my attempt!

Sunday, April 16, 2017

UNboxing: Tamron 70-200 2.8 G2!


I was super excited to finally upgrade my original 70-200 2.8 Tamron lens and jumping to this level from that! Watch out in the near future for the first impressions video!




Thursday, April 13, 2017

Breakdown: Red Dress Dark Fashion Post-Blizzard Stella

I got this concept pop into my head when the nor’easter blizzard of 2017 Stella hit my area… but as soon as it ended lol. I saw the contrast of white and red would be perfect for a shoot, so I scrambled to find anyone with a red dress and luckily found on for this past Thursday (a week after the blizzard hit) and luckily had just enough snow on the ground too.

Now my original plan was to try more off camera flash. So I took my 2 speedlites, as I just planned to use one and keep one as a backup as my YN600 is sorta having issues with “over heating” in a few pops. So I get to the park I wanted to shoot at (which mind you, I am more of an urban portrait shooter, haven’t shot in a park for at least 2 years but this concept was perfect for a park setting).




Thursday, December 1, 2016

UNBOXING: Cheetah Rice Bowl



Link to product: http://www.cheetahstand.com/product-p/rb-120.htm

First unboxing in a while honestly... may be a while for my next but I thought I'd share it! 

What prompted me to buy it was not just the Black Friday deal... this item was on my wishlist for a long while. I've been using my Lastolite 30x30 (EZ BOX) speedlite softbox for a long time. While I still plan to use it when run and gun on-location shooting or as an added light source I still wanted a bigger and more controllable light softbox for my bigger more powerful light source, my impact 300 w/s strobe. This will force me to pretty much shoot a lot more in a more planned way than run and gun every time with my speedlite on-location rogue shooting lol. So this will, hopefully prompt me to find locations, the property owners/managers to hopefully get a chance to organize full blown shoot(s) there.

Anything that is "deep" is automatically less spill... less spill more efficiency on light, as well it is more focused, so if I wanted to, I can shoot without any diffuses and get fairly sharp shadow edges on the subject as my keylight. But with my usual style it will be mostly used as a soft light, which usually will bring in more spill, luckily with the added deep its a little more focused, PLUS I got a grid with it, so it'll be fairly very soft and focused to the subject... which this will require POWER! Luckily my impact 300 w/s should work great to power and shoot with the modifier and grid. 

Thursday, November 17, 2016

Photo Plus Expo 2016 Reviewed!


These are my own personal thoughts of what I thought was interesting. I did not cover anything that was not interesting to my own interests or thought was revolutionary.

5:02 Media Booth Pro (Photo Booth)
6:05 Vuze (3D/VR Camera)
7:18 Sony A7RII
8:54 Sony A7SII
12:19 THETA 360 Camera
14:35 The Lens Flipper 
16:58 Some LED lighting gear I forgot to get the name of...sorry.
17:40 Wacom (Retouching tool)
19:28 Bowens (Strobe units, also talk about Flashpoint's XPLOR)
21:50 is Came-TV (Gimbals/Stabilizers)
23:08 Another one I forgot, could be the app or the thing moving the camera around, or both... sorry.
24:35 Typhoon4k (Drone)
25:46 More LED lighting equipment, Zylight
26:43 Education (Peter Hurley shown as reference)
28:17 Foto Master (Photo Booth)
30:17 Lastolite (Softboxes)
31:41 Sigma 85mm 1.4 ART Lens with sample images on the Canon 6D
34:28 Sony Booth
35:20 iKan Booth - Video Equipment
36:49 Networking and Shoots in NYC

Thursday, October 13, 2016

How to Find Models in a Weak Market. - UPDATE

Original Article

Well it's been over a year since I started my venture into expanding my ability and skills in finding new models or people whom may want to be photographed as models...and my thoughts? 

Simple... it did work a lot better than I expected... but still underwhelming, unsurprisingly. Sadly for the goals I have in my photography and portfolio I will need to move to a more heavy populated area closer to major cities, such as for me the closest that isn't too big or too small is Philadelphia, PA. 

Not just models I'll more access to, but I'll have access to all and vast amounts of different talent I can collaborate with and expand not just my portfolio but my skills as a photographer, art director and now exploring more into video work directing/producing content. Honestly, I wished I have realized this sooner. I was told I could have either discovered talent and create models from ground up, and I can.... but for what I need in my portfolio requires certain looks to appeal to the fashion industry (like high fashion models). And experience helps, but not required from a model. I don't intend to explore too many concepts that require a ton of complex modeling skills since my techniques I am heavily inspired by Annie Leibovitz. Trying to keep it natural is my goal... yea sometimes I do like to play with more complex concepts, but I do most of the time aim for my style to come off as natural looking as much as I can.

As for my NEPA Modeling Search... I can make it work, but to truly make it work requires either CASH or sponsors. Can't make the NEPA region want to participate if no prizes are involved or "glitz" and fame is anywhere in sight in the group. People want something more than just images these days sadly, especially in the NEPA region. I will continue to work on it even as I move a little further south, but less focused and time dedicated to it. It would have to be entirely dependent on sponsors since images for people is not enough to simply show up and get some photos, especially when they do not see themselves as models or ever intend to become a "model" professionally. Time is extremely limited and doing a photoshoot seems fun, but with most young people whom are fighting to survive by keeping up with bills and working 2-3 jobs...doing a photoshoot that isn't paying off isn't worth doing...even if its for a trade (or free in their minds).

The Logistics

I've thought about the logistics as a business mind would. I would need to spend 7 years to equal my 1-2 years in or near a major city to collaborations. Which means the amount of work I get and do here in NEPA, could be done much faster time by being around more people aka talent aka creatives. I love what NEPA has given me in the past 6 years to have me grow from nothing to where I am now... which is something but not the level I want and need to be in my mind. I have struggled a ton finding people, not just models cause I know models do not exist in my area other than non-fashion models, which are fine and have worked with. But I have a vision for my portfolio and style to look more like what the fashion industry expects... which doesn't sound good, but they like what they like.... Just like how photography rules, learn them, master them, then break them intentionally. Once I'm there I'll learn to break the rules to get and become my own in the fashion photography. There are no clothing designers or wardrobe stylists in my entire region, so my only option was to be a wardrobe stylist. Did that for a year, didn't mind to learn that skill at all. But it can be exhausting and totally take off the focus as being the Art Director and Photographer for the photoshoot.

I know it sounds like complaining, just telling it how it is. I am exhausted, but its part of the struggle. I am learning and moving up my skills as time moves on. And to continue to learn and move up requires me moving, I will. 

New content is coming...

It's been about a year since I posted... Been working on a ton of new skills and portfolio building as usual for the past 6 years... It's time for a change since I started last year to focus on business and content creation to get the word/name out there. If anyone whomever is following this blog, if anyone lol... I am working on more youtube right now and for the following year. It'll be a mix of stuff, but if you want to see any content from me it'll be on my youtube channel first. I'll try to re-post it here that is related to the blog but honestly not every video will be about shooting model photography. I'll be working on a few different channels. Different series ideas. Some would be helpful for photographers, some are helpful to models, and some completely left field like my Anxiety channel I have in the works. Check out my youtube, simply either click here or search my name.

Sunday, January 17, 2016

Glamour Photography IS NOT FOR YOU!



Well I now that I have your attention. I don't mean everyone, I mean the vast majority of photographers should not bother pursuing glamour aka boudoir aka nude/implied type of photography, unless you know its purely for hobby/fun/fine art purposes. And when I say the vast majority I mean, men... yes men... I know, I know men were the first to photograph women in glamorous ways back in the days, but today's reality where more people can get into photography this allows more women to enter it too. When there is more women specifically working in glamour the obvious choice for more consumers will be a female photographer. You as a male CANNOT compete most of the time. 


Tuesday, December 1, 2015

Natural Light Adventures 05: Post Processing.



We're coming to an end of the series' sector, at least the written part. Post processing is finishing touches to images as we all know, but it is as important as the production itself. Depending on your current style or style you're trying to develop into this will dictate how post processing goes. So the following is based on my own style, so take it or leave it.


If you've just jumped into this part of the blog series I highly recommend you read the past parts as this part is spoke with the assumption you've read the past parts, as well you've learned the important part of timing which can be figured out with what gear you have and location you're shooting at. Check the index.


Sunday, November 29, 2015

Natural Light Adventures 04: Location Scouting.


Location scouting can sometimes can be easy and sometimes very, very difficult. From looking for appealing or decent light and then finding an nice composition. And sometimes with lack of time you may need to accept a less appealing composition and make it work with what you have.

If you've just jumped into this part of the blog series I highly recommend you read the past parts as this part is spoke with the assumption you've read the past parts, as well you've learned the important part of timing which can be figured out with what gear you have and location you're shooting at. Check the index.

Locations vary on your needs of your vision, and how strict you're with your vision. I know for my journey in natural light adventures from May 2015 to today, I was not picky. Every shoot I did was purely casual lifestyle or/and fashion style shoot. No mood boards. Just meet up at a location, me and a model can shoot at during the times I think is best for the shoot, as well help with some wardrobe decisions. 

Saturday, November 28, 2015

Natural Light Adventures 03: Finding The Light.


This part can be difficult in some cases or it can be easy. Depends how are you with seeing light, and then even when you find great interesting light you'd need to ensure it falls onto the subject(s) properly, as well have an appealing composition. 

If you've just jumped into this part of the blog series I highly recommend you read the past parts as this part is spoke with the assumption you've read the past parts, as well you've learned the important part of timing which can be figured out with what gear you have and location you're shooting at. Check the index.

This post is why I shoot the way I shoot on natural light and recommend anyone in my situation, such as lack funding for assistants, don't have friends/family willing to help consistently on a bunch of natural light portrait shoots, and don't feel comfortable with any lighting equipment/modifiers in the field by themselves while you shoot. I know most others teach to have a fill, reflector, or something but this isn't doable alone (just you and a model/person), especially in a big city where tons of people pass by, or even small cities if you're paranoid like me. So the following will help you in this same situation to still create unique and amazing natural light portrait shots.

Cloudy Shooting

When I say easy, it can be very easy if the sky is very consistent in cloud coverage (large cloud coverage) so you have constant and consistent giant softbox type of light during your time shooting outside. Such as for example on my day shooting outdoors on Halloween 2015.

Friday, November 27, 2015

Natural Light Adventures 02: Gear Talk.


As I've mentioned in the previous post, I'm no gear head (but if I had the cash then hell yea I would lol). But it is important to know your limitations, working with what you have and making the best of it as much as you possibly can. Even if you need to push the boundaries on post processing which will allow your gear limitations to expand. We'll discuss further on post processing in another post, but keep in mind I'm not a magician in post processing.

The following may mention some information based on the assumption you've mastered manual mode on your camera.


Cameras


My choice of camera is a DSLR, more specifically canon, from T2i, XSi, 20D and a 6D. Now granted I did not expand much on my natural light photography until I had a 6D where it does have very high ISO ranges and great quality ISO up to 6400 and sometimes if really necessary 8000. This isn't a review of the canon 6D but just wanted to share my experience regarding ISO on the 6D.


The choice of camera will control most of your limitations of what you can and cannot do on natural light portrait work, and as mentioned control the size of available natural soft light during golden hours. Such as if your camera does not produce great or 

decent quality ISO higher than 1600, your limitations will be much smaller than a camera like a canon 6D having decent quality ISO at 8000, so your window could be 30-60 minutes possibly.